Part 10

The concert on Thursday night was better attended, but Mrs Kearney saw at once that the house was filled with paper. The audience behaved indecorously, as if the concert were an informal dress rehearsal. Mr Fitzpatrick seemed to enjoy himself; he was quite unconscious that Mrs Kearney was taking angry note of his conduct. He stood at the edge of the screen, from time to time jutting out his head and exchanging a laugh with two friends in the corner of the balcony. In the course of the evening, Mrs Kearney learned that the Friday concert was to be abandoned and that the Committee was going to move heaven and earth to secure a bumper house on Saturday night. When she heard this, she sought out Mr Holohan. She buttonholed him as he was limping out quickly with a glass of lemonade for a young lady and asked him was it true. Yes, it was true.

“But, of course, that doesn’t alter the contract,” she said. “The contract was for four concerts.”

Mr Holohan seemed to be in a hurry; he advised her to speak to Mr Fitzpatrick. Mrs Kearney was now beginning to be alarmed. She called Mr Fitzpatrick away from his screen and told him that her daughter had signed for four concerts and that, of course, according to the terms of the contract, she should receive the sum originally stipulated for, whether the society gave the four concerts or not. Mr Fitzpatrick, who did not catch the point at issue very quickly, seemed unable to resolve the difficulty and said that he would bring the matter before the Committee. Mrs Kearney’s anger began to flutter in her cheek and she had all she could do to keep from asking:

“And who is the _Cometty_ pray?”

But she knew that it would not be ladylike to do that: so she was silent.

Little boys were sent out into the principal streets of Dublin early on Friday morning with bundles of handbills. Special puffs appeared in all the evening papers, reminding the music-loving public of the treat which was in store for it on the following evening. Mrs Kearney was somewhat reassured, but she thought well to tell her husband part of her suspicions. He listened carefully and said that perhaps it would be better if he went with her on Saturday night. She agreed. She respected her husband in the same way as she respected the General Post Office, as something large, secure and fixed; and though she knew the small number of his talents she appreciated his abstract value as a male. She was glad that he had suggested coming with her. She thought her plans over.

The night of the grand concert came. Mrs Kearney, with her husband and daughter, arrived at the Antient Concert Rooms three-quarters of an hour before the time at which the concert was to begin. By ill luck it was a rainy evening. Mrs Kearney placed her daughter’s clothes and music in charge of her husband and went all over the building looking for Mr Holohan or Mr Fitzpatrick. She could find neither. She asked the stewards was any member of the Committee in the hall and, after a great deal of trouble, a steward brought out a little woman named Miss Beirne to whom Mrs Kearney explained that she wanted to see one of the secretaries. Miss Beirne expected them any minute and asked could she do anything. Mrs Kearney looked searchingly at the oldish face which was screwed into an expression of trustfulness and enthusiasm and answered:

“No, thank you!”

The little woman hoped they would have a good house. She looked out at the rain until the melancholy of the wet street effaced all the trustfulness and enthusiasm from her twisted features. Then she gave a little sigh and said:

“Ah, well! We did our best, the dear knows.”

Mrs Kearney had to go back to the dressing-room.

The _artistes_ were arriving. The bass and the second tenor had already come. The bass, Mr Duggan, was a slender young man with a scattered black moustache. He was the son of a hall porter in an office in the city and, as a boy, he had sung prolonged bass notes in the resounding hall. From this humble state he had raised himself until he had become a first-rate _artiste_. He had appeared in grand opera. One night, when an operatic _artiste_ had fallen ill, he had undertaken the part of the king in the opera of _Maritana_ at the Queen’s Theatre. He sang his music with great feeling and volume and was warmly welcomed by the gallery; but, unfortunately, he marred the good impression by wiping his nose in his gloved hand once or twice out of thoughtlessness. He was unassuming and spoke little. He said _yous_ so softly that it passed unnoticed and he never drank anything stronger than milk for his voice’s sake. Mr Bell, the second tenor, was a fair-haired little man who competed every year for prizes at the Feis Ceoil. On his fourth trial he had been awarded a bronze medal. He was extremely nervous and extremely jealous of other tenors and he covered his nervous jealousy with an ebullient friendliness. It was his humour to have people know what an ordeal a concert was to him. Therefore when he saw Mr Duggan he went over to him and asked:

“Are you in it too?”

“Yes,” said Mr Duggan.

Mr Bell laughed at his fellow-sufferer, held out his hand and said:

“Shake!”

Mrs Kearney passed by these two young men and went to the edge of the screen to view the house. The seats were being filled up rapidly and a pleasant noise circulated in the auditorium. She came back and spoke to her husband privately. Their conversation was evidently about Kathleen for they both glanced at her often as she stood chatting to one of her Nationalist friends, Miss Healy, the contralto. An unknown solitary woman with a pale face walked through the room. The women followed with keen eyes the faded blue dress which was stretched upon a meagre body. Someone said that she was Madam Glynn, the soprano.

“I wonder where did they dig her up,” said Kathleen to Miss Healy. “I’m sure I never heard of her.”

Miss Healy had to smile. Mr Holohan limped into the dressing-room at that moment and the two young ladies asked him who was the unknown woman. Mr Holohan said that she was Madam Glynn from London. Madam Glynn took her stand in a corner of the room, holding a roll of music stiffly before her and from time to time changing the direction of her startled gaze. The shadow took her faded dress into shelter but fell revengefully into the little cup behind her collar-bone. The noise of the hall became more audible. The first tenor and the baritone arrived together. They were both well dressed, stout and complacent and they brought a breath of opulence among the company.

Mrs Kearney brought her daughter over to them, and talked to them amiably. She wanted to be on good terms with them but, while she strove to be polite, her eyes followed Mr Holohan in his limping and devious courses. As soon as she could she excused herself and went out after him.

“Mr Holohan, I want to speak to you for a moment,” she said.

They went down to a discreet part of the corridor. Mrs Kearney asked him when was her daughter going to be paid. Mr Holohan said that Mr Fitzpatrick had charge of that. Mrs Kearney said that she didn’t know anything about Mr Fitzpatrick. Her daughter had signed a contract for eight guineas and she would have to be paid. Mr Holohan said that it wasn’t his business.

“Why isn’t it your business?” asked Mrs Kearney. “Didn’t you yourself bring her the contract? Anyway, if it’s not your business it’s my business and I mean to see to it.”

“You’d better speak to Mr Fitzpatrick,” said Mr Holohan distantly.

“I don’t know anything about Mr Fitzpatrick,” repeated Mrs Kearney. “I have my contract, and I intend to see that it is carried out.”

When she came back to the dressing-room her cheeks were slightly suffused. The room was lively. Two men in outdoor dress had taken possession of the fireplace and were chatting familiarly with Miss Healy and the baritone. They were the _Freeman_ man and Mr O’Madden Burke. The _Freeman_ man had come in to say that he could not wait for the concert as he had to report the lecture which an American priest was giving in the Mansion House. He said they were to leave the report for him at the _Freeman_ office and he would see that it went in. He was a grey-haired man, with a plausible voice and careful manners. He held an extinguished cigar in his hand and the aroma of cigar smoke floated near him. He had not intended to stay a moment because concerts and _artistes_ bored him considerably but he remained leaning against the mantelpiece. Miss Healy stood in front of him, talking and laughing. He was old enough to suspect one reason for her politeness but young enough in spirit to turn the moment to account. The warmth, fragrance and colour of her body appealed to his senses. He was pleasantly conscious that the bosom which he saw rise and fall slowly beneath him rose and fell at that moment for him, that the laughter and fragrance and wilful glances were his tribute. When he could stay no longer he took leave of her regretfully.

“O’Madden Burke will write the notice,” he explained to Mr Holohan, “and I’ll see it in.”

“Thank you very much, Mr Hendrick,” said Mr Holohan, “you’ll see it in, I know. Now, won’t you have a little something before you go?”

“I don’t mind,” said Mr Hendrick.

The two men went along some tortuous passages and up a dark staircase and came to a secluded room where one of the stewards was uncorking bottles for a few gentlemen. One of these gentlemen was Mr O’Madden Burke, who had found out the room by instinct. He was a suave, elderly man who balanced his imposing body, when at rest, upon a large silk umbrella. His magniloquent western name was the moral umbrella upon which he balanced the fine problem of his finances. He was widely respected.

While Mr Holohan was entertaining the _Freeman_ man Mrs Kearney was speaking so animatedly to her husband that he had to ask her to lower her voice. The conversation of the others in the dressing-room had become strained. Mr Bell, the first item, stood ready with his music but the accompanist made no sign. Evidently something was wrong. Mr Kearney looked straight before him, stroking his beard, while Mrs Kearney spoke into Kathleen’s ear with subdued emphasis. From the hall came sounds of encouragement, clapping and stamping of feet. The first tenor and the baritone and Miss Healy stood together, waiting tranquilly, but Mr Bell’s nerves were greatly agitated because he was afraid the audience would think that he had come late.

Mr Holohan and Mr O’Madden Burke came into the room. In a moment Mr Holohan perceived the hush. He went over to Mrs Kearney and spoke with her earnestly. While they were speaking the noise in the hall grew louder. Mr Holohan became very red and excited. He spoke volubly, but Mrs Kearney said curtly at intervals:

“She won’t go on. She must get her eight guineas.”

Mr Holohan pointed desperately towards the hall where the audience was clapping and stamping. He appealed to Mr Kearney and to Kathleen. But Mr Kearney continued to stroke his beard and Kathleen looked down, moving the point of her new shoe: it was not her fault. Mrs Kearney repeated:

“She won’t go on without her money.”

After a swift struggle of tongues Mr Holohan hobbled out in haste. The room was silent. When the strain of the silence had become somewhat painful Miss Healy said to the baritone:

“Have you seen Mrs Pat Campbell this week?”

The baritone had not seen her but he had been told that she was very fine. The conversation went no further. The first tenor bent his head and began to count the links of the gold chain which was extended across his waist, smiling and humming random notes to observe the effect on the frontal sinus. From time to time everyone glanced at Mrs Kearney.

The noise in the auditorium had risen to a clamour when Mr Fitzpatrick burst into the room, followed by Mr Holohan, who was panting. The clapping and stamping in the hall were punctuated by whistling. Mr Fitzpatrick held a few banknotes in his hand. He counted out four into Mrs Kearney’s hand and said she would get the other half at the interval. Mrs Kearney said:

“This is four shillings short.”

But Kathleen gathered in her skirt and said: _“Now, Mr Bell,”_ to the first item, who was shaking like an aspen. The singer and the accompanist went out together. The noise in hall died away. There was a pause of a few seconds: and then the piano was heard.

The first part of the concert was very successful except for Madam Glynn’s item. The poor lady sang _Killarney_ in a bodiless gasping voice, with all the old-fashioned mannerisms of intonation and pronunciation which she believed lent elegance to her singing. She looked as if she had been resurrected from an old stage-wardrobe and the cheaper parts of the hall made fun of her high wailing notes. The first tenor and the contralto, however, brought down the house. Kathleen played a selection of Irish airs which was generously applauded. The first part closed with a stirring patriotic recitation delivered by a young lady who arranged amateur theatricals. It was deservedly applauded; and, when it was ended, the men went out for the interval, content.

All this time the dressing-room was a hive of excitement. In one corner were Mr Holohan, Mr Fitzpatrick, Miss Beirne, two of the stewards, the baritone, the bass, and Mr O’Madden Burke. Mr O’Madden Burke said it was the most scandalous exhibition he had ever witnessed. Miss Kathleen Kearney’s musical career was ended in Dublin after that, he said. The baritone was asked what did he think of Mrs Kearney’s conduct. He did not like to say anything. He had been paid his money and wished to be at peace with men. However, he said that Mrs Kearney might have taken the _artistes_ into consideration. The stewards and the secretaries debated hotly as to what should be done when the interval came.

“I agree with Miss Beirne,” said Mr O’Madden Burke. “Pay her nothing.”

In another corner of the room were Mrs Kearney and her husband, Mr Bell, Miss Healy and the young lady who had to recite the patriotic piece. Mrs Kearney said that the Committee had treated her scandalously. She had spared neither trouble nor expense and this was how she was repaid.

They thought they had only a girl to deal with and that, therefore, they could ride roughshod over her. But she would show them their mistake. They wouldn’t have dared to have treated her like that if she had been a man. But she would see that her daughter got her rights: she wouldn’t be fooled. If they didn’t pay her to the last farthing she would make Dublin ring. Of course she was sorry for the sake of the _artistes_. But what else could she do? She appealed to the second tenor who said he thought she had not been well treated. Then she appealed to Miss Healy. Miss Healy wanted to join the other group but she did not like to do so because she was a great friend of Kathleen’s and the Kearneys had often invited her to their house.

As soon as the first part was ended Mr Fitzpatrick and Mr Holohan went over to Mrs Kearney and told her that the other four guineas would be paid after the Committee meeting on the following Tuesday and that, in case her daughter did not play for the second part, the Committee would consider the contract broken and would pay nothing.

“I haven’t seen any Committee,” said Mrs Kearney angrily. “My daughter has her contract. She will get four pounds eight into her hand or a foot she won’t put on that platform.”

“I’m surprised at you, Mrs Kearney,” said Mr Holohan. “I never thought you would treat us this way.”

“And what way did you treat me?” asked Mrs Kearney.

Her face was inundated with an angry colour and she looked as if she would attack someone with her hands.

“I’m asking for my rights,” she said.

“You might have some sense of decency,” said Mr Holohan.

“Might I, indeed?... And when I ask when my daughter is going to be paid I can’t get a civil answer.”

She tossed her head and assumed a haughty voice:

“You must speak to the secretary. It’s not my business. I’m a great fellow fol-the-diddle-I-do.”

“I thought you were a lady,” said Mr Holohan, walking away from her abruptly.

After that Mrs Kearney’s conduct was condemned on all hands: everyone approved of what the Committee had done. She stood at the door, haggard with rage, arguing with her husband and daughter, gesticulating with them. She waited until it was time for the second part to begin in the hope that the secretaries would approach her. But Miss Healy had kindly consented to play one or two accompaniments. Mrs Kearney had to stand aside to allow the baritone and his accompanist to pass up to the platform. She stood still for an instant like an angry stone image and, when the first notes of the song struck her ear, she caught up her daughter’s cloak and said to her husband:

“Get a cab!”

He went out at once. Mrs Kearney wrapped the cloak round her daughter and followed him. As she passed through the doorway she stopped and glared into Mr Holohan’s face.

“I’m not done with you yet,” she said.

“But I’m done with you,” said Mr Holohan.

Kathleen followed her mother meekly. Mr Holohan began to pace up and down the room, in order to cool himself for he felt his skin on fire.

“That’s a nice lady!” he said. “O, she’s a nice lady!”

“You did the proper thing, Holohan,” said Mr O’Madden Burke, poised upon his umbrella in approval.

GRACE

Two gentlemen who were in the lavatory at the time tried to lift him up: but he was quite helpless. He lay curled up at the foot of the stairs down which he had fallen. They succeeded in turning him over. His hat had rolled a few yards away and his clothes were smeared with the filth and ooze of the floor on which he had lain, face downwards. His eyes were closed and he breathed with a grunting noise. A thin stream of blood trickled from the corner of his mouth.

These two gentlemen and one of the curates carried him up the stairs and laid him down again on the floor of the bar. In two minutes he was surrounded by a ring of men. The manager of the bar asked everyone who he was and who was with him. No one knew who he was but one of the curates said he had served the gentleman with a small rum.

“Was he by himself?” asked the manager.

“No, sir. There was two gentlemen with him.”

“And where are they?”

No one knew; a voice said:

“Give him air. He’s fainted.”

The ring of onlookers distended and closed again elastically. A dark medal of blood had formed itself near the man’s head on the tessellated floor. The manager, alarmed by the grey pallor of the man’s face, sent for a policeman.

His collar was unfastened and his necktie undone. He opened his eyes for an instant, sighed and closed them again. One of gentlemen who had carried him upstairs held a dinged silk hat in his hand. The manager asked repeatedly did no one know who the injured man was or where had his friends gone. The door of the bar opened and an immense constable entered. A crowd which had followed him down the laneway collected outside the door, struggling to look in through the glass panels.

The manager at once began to narrate what he knew. The constable, a young man with thick immobile features, listened. He moved his head slowly to right and left and from the manager to the person on the floor, as if he feared to be the victim of some delusion. Then he drew off his glove, produced a small book from his waist, licked the lead of his pencil and made ready to indite. He asked in a suspicious provincial accent:

“Who is the man? What’s his name and address?”

A young man in a cycling-suit cleared his way through the ring of bystanders. He knelt down promptly beside the injured man and called for water. The constable knelt down also to help. The young man washed the blood from the injured man’s mouth and then called for some brandy. The constable repeated the order in an authoritative voice until a curate came running with the glass. The brandy was forced down the man’s throat. In a few seconds he opened his eyes and looked about him. He looked at the circle of faces and then, understanding, strove to rise to his feet.

“You’re all right now?” asked the young man in the cycling-suit.

“Sha, ’s nothing,” said the injured man, trying to stand up.

He was helped to his feet. The manager said something about a hospital and some of the bystanders gave advice. The battered silk hat was placed on the man’s head. The constable asked:

“Where do you live?”

The man, without answering, began to twirl the ends of his moustache. He made light of his accident. It was nothing, he said: only a little accident. He spoke very thickly.

“Where do you live?” repeated the constable.

The man said they were to get a cab for him. While the point was being debated a tall agile gentleman of fair complexion, wearing a long yellow ulster, came from the far end of the bar. Seeing the spectacle, he called out:

“Hallo, Tom, old man! What’s the trouble?”

“Sha, ’s nothing,” said the man.

The new-comer surveyed the deplorable figure before him and then turned to the constable, saying:

“It’s all right, constable. I’ll see him home.”

The constable touched his helmet and answered:

“All right, Mr Power!”

“Come now, Tom,” said Mr Power, taking his friend by the arm. “No bones broken. What? Can you walk?”

The young man in the cycling-suit took the man by the other arm and the crowd divided.

“How did you get yourself into this mess?” asked Mr Power.

“The gentleman fell down the stairs,” said the young man.

“I’ ’ery ’uch o’liged to you, sir,” said the injured man.

“Not at all.”

“’ant we have a little...?”

“Not now. Not now.”

The three men left the bar and the crowd sifted through the doors into the laneway. The manager brought the constable to the stairs to inspect the scene of the accident. They agreed that the gentleman must have missed his footing. The customers returned to the counter and a curate set about removing the traces of blood from the floor.

When they came out into Grafton Street, Mr Power whistled for an outsider. The injured man said again as well as he could:

“I’ ’ery ’uch o’liged to you, sir. I hope we’ll ’eet again. ’y na’e is Kernan.”

The shock and the incipient pain had partly sobered him.

“Don’t mention it,” said the young man.

They shook hands. Mr Kernan was hoisted on to the car and, while Mr Power was giving directions to the carman, he expressed his gratitude to the young man and regretted that they could not have a little drink together.

“Another time,” said the young man.

The car drove off towards Westmoreland Street. As it passed Ballast Office the clock showed half-past nine. A keen east wind hit them, blowing from the mouth of the river. Mr Kernan was huddled together with cold. His friend asked him to tell how the accident had happened.

“I ’an’t, ’an,” he answered, “’y ’ongue is hurt.”

“Show.”

The other leaned over the well of the car and peered into Mr Kernan’s mouth but he could not see. He struck a match and, sheltering it in the shell of his hands, peered again into the mouth which Mr Kernan opened obediently. The swaying movement of the car brought the match to and from the opened mouth. The lower teeth and gums were covered with clotted blood and a minute piece of the tongue seemed to have been bitten off. The match was blown out.

“That’s ugly,” said Mr Power.

“Sha, ’s nothing,” said Mr Kernan, closing his mouth and pulling the collar of his filthy coat across his neck.

Mr Kernan was a commercial traveller of the old school which believed in the dignity of its calling. He had never been seen in the city without a silk hat of some decency and a pair of gaiters. By grace of these two articles of clothing, he said, a man could always pass muster. He carried on the tradition of his Napoleon, the great Blackwhite, whose memory he evoked at times by legend and mimicry. Modern business methods had spared him only so far as to allow him a little office in Crowe Street on the window blind of which was written the name of his firm with the address—London, E.C. On the mantelpiece of this little office a little leaden battalion of canisters was drawn up and on the table before the window stood four or five china bowls which were usually half full of a black liquid. From these bowls Mr Kernan tasted tea. He took a mouthful, drew it up, saturated his palate with it and then spat it forth into the grate. Then he paused to judge.

Mr Power, a much younger man, was employed in the Royal Irish Constabulary Office in Dublin Castle. The arc of his social rise intersected the arc of his friend’s decline, but Mr Kernan’s decline was mitigated by the fact that certain of those friends who had known him at his highest point of success still esteemed him as a character. Mr Power was one of these friends. His inexplicable debts were a byword in his circle; he was a debonair young man.

The car halted before a small house on the Glasnevin road and Mr Kernan was helped into the house. His wife put him to bed while Mr Power sat downstairs in the kitchen asking the children where they went to school and what book they were in. The children—two girls and a boy, conscious of their father’s helplessness and of their mother’s absence, began some horseplay with him. He was surprised at their manners and at their accents, and his brow grew thoughtful. After a while Mrs Kernan entered the kitchen, exclaiming: